ANIMAFEST PRO | ANIMAFEST SCANNER V | SYMPOSIUM FOR CONTEMPORARY ANIMATION STUDIES
Animafest Scanner V - Symposium for Contemporary Animation Studies
05–06/06 TUE-WED 10:00 – 17:00 h Balassi I, Augusta Cesarca 10
In English, open to public.
As the worldwide Animation Studies are rapidly growing and evolving in recent years, catching up with the increasing field of animated films, Animafest Scanner symposium is again at the frontline of the discourse and the interaction of theoretical and practical approaches to animation. The fifth Symposium for Contemporary Animation Animafest Scanner V aims to create synergy of theoretical and practical discourses, and stimulate exchange between filmmakers and scholars. The symposium is held in association with the World Festival of Animated Film - Animafest Zagreb. Over the course of its forty-six-year history, the festival has given a stage to different animation forms and formats in competition and non-competition environments, presenting a worldwide selection of auteur, experimental and mainstream animated films in various programs.
This year’s keynote speaker is the recipient of the Animafest Zagreb Award for Outstanding Contributions to Animation Studies for 2018 Paul Wells, UK. He is an internationally established scholar and screenwriter, director of the Animation Academy at Loughborough University UK and chair of the Association of British Animation Collections (ABAC). Having published widely in animation and film studies with books like Understanding Animation and Re-Imagining Animation, he is also editor of the journal Animation Practice, Process & Production.
The speakers will focus on the following subjects: Animation and Sports, Characters in Animation, Animating Horror, Animation at Large. Historical and current trends, numerous perspectives, new findings in the fast-growing field of animation studies, paired with exciting speakers – all this and more awaits you at the Animafest Scanner symposium, in the context of screenings and other events organised by Animafest 2018.
Organizers:
World festival of Animated film - Animafest Zagreb
ASIFA - Austria
Hulahop Film & Art Production
Organizing committee:
Mag. art. Daniel Šuljić, World festival of Animated film - Animafest Zagreb
Mag. phil. mag. art. Franziska Bruckner, ASIFA - Austria / AG Animation Vienna
Dr. sc. Nikica Gilić, Assoc. Prof., Faculty of Humanities and Social Sciences, University of Zagreb
Prof. Holger Lang, Webster Vienna Private University
Prof. dr. Hrvoje Turković, Prof. in retirement, Academy of Dramatic Arts, University of Zagreb
With support of:
City of Zagreb
Zagreb Tourist Board
Croatian Audiovisual Centre (HAVC)
Institut Balassi Zagreb
Austrian Cultural Forum in Zagreb
AG Animation of the Society for Media Studies (GfM)
Webster Vienna Private University
St. Pölten University of Applied Sciences
05/06 TUESDAY
10:00 Welcome & Introduction
10:30 – 11:15 KEYNOTE
Paul Wells (Animation Academy, Loughborough University, UK)
PANEL 1: ANIMATION AND SPORTS
Moderation: Nikica Gilić
11:20 – 11:50 Aesthetic, Affective, and Explanatory Functions of Animated Images in Sports Broadcasts – Erwin Feyersinger (University of Tübingen, Germany)
11:55 – 12:25 On Friendship and Competition: Use of Sport in Communist Animated Propaganda – Olga Bobrowska, Michał Bobrowski (Jagiellonian University Krakow, Poland)
PANEL 2: CHARACTERS IN ANIMATION
Moderation: Hrvoje Turković
14:30 – 15:00 Meena, a Girl from My Village: 20 Years of Animated Social Change in South Asia – Naima Alam (University of Tübingen, Germany)
15:05 – 15:35 Defining and Cataloguing Synthespian Performances in Film – Jason Kennedy (Auckland University of Technology, New Zealand)
15:50 – 16:20 Living Abstract Line: Contemporary Positions Concerning the Line as a Performer in Artistic Animation – Sabrina Kainz (University of Applied Sciences Upper Austria, Vienna, Austria)
16:25 – 16:55 (Un)masking the Human Condition: Nature and Stylistics of ‘Character Animation’ in Igor Kovalyov’s Films – Mikhail Gurevich (independent scholar, USA)
06/06 WEDNESDAY
10:15 Introduction
PANEL 3: ANIMATING HORROR
Moderation: Holger Lang
10:30 – 11:00 Into the Dark: Animation and Horror – Nag Vladermersky (London International Animation Festival, UK)
11:05 – 11:35 Fantasia’s “Night on Bald Mountain”: Fantastic Horror in Disney’s Early Long-feature Animations – Jorgelina Orfila (Texas Tech University, Lubbock, USA)
11:50 – 12:20 The Chamber Escapes – Horror as a Matter of Light and Space – Martina Tritthart (University of Applied Sciences FH Burgenland and University of Applied Sciences FH Joanneum, Vienna, Austria)
12:25 – 12:55 The Phenomenological Experience of Post-Newtonian Physics through Experimental Animation and the Uncanny – Ana Carolina Estarita Guerrero (University of Southern California, USA)
PANEL 4: ANIMATION AT LARGE
Moderation: Franziska Bruckner
14:30 – 15:00 The Mesmerizing Loop: The Rare Case of Tom Winkler’s Animated GIFs – Francisco Ortega-Grimaldo (Texas Tech University, Lubbock, USA)
15:05 – 15:35 Immersive Stories: Hand-drawn Aesthetics in the Hyper-digital 360° World – Millie Young (Mahidol University International College, Thailand)
15:50 – 16:20 Phidias the Animator. Movement Analysis in the Parthenon’s Frieze – Georges Sifianos (ENSAD Paris, France)
16:25 – 16:55 The Context and Development of Animated Documentaries, the Cornerstones of Modern Animation in Sweden – Midhat Ajanović (University West, Trollhättan, Sweden)